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艺术家-周光真|相遇·上海当代陶瓷实验艺术展

3年前
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《相遇·上海当代陶瓷实验艺术展》

2020年11月08日-2021年01月02日

可·美术馆


艺术家|周光真

Artist|Zhou Guangzhen


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个人简介|Introduction

Guangzhen Zhou’s Biography


Guangzhen Zhou (1953- ), former council member of International Academy of Ceramics – Representative of China (2014-2020), a guest professor of Shanghai Institute of Visual Art, Sichuan Fine Arts Institute, Jingdezhen Ceramic University, and international adviser of China Celadon College at Lishui University.

 

After receiving his MA from University of Minnesota-Duluth and his MFA from San Jose State University, California, he has had five books published, presented lectures in China, Japan, Korea, Turkey, Switzerland and the US.

 

He was a curator for Beyond the Time and Space-Chinese Contemporary Ceramics, – Dublin; the Chinese Decorative Ceramic Art Exhibition at Abu Dhabi, UAE; Beyond the Functionality—Contemporary International Teapots Exhibition at NCECA, Phoenix, Arizona 2009; and the Chinese Contemporary Ceramic Art Exhibition, NCECA, Denver, 2000; Refresh Memory-IAC Chinese Members’ Artworks Exhibition, Jingdezhen; International Ceramic Art Exchange Artworks Exhibition – in conjunction with NGO-UNESCO, Beijing; and he was a juror of Korea International Ceramic Art Biennale (GICB 2019); 39’ International Ceramic Artwork Competition, Gualdo Tadino, Italy; Seres’2018, Fantastic Teapot Exhibition, Turkey; Big Fish Small Pot-International Small Teapot Show and Competition, California; the Changchun International Ceramic Art Symposium and Competition; the First World Ceramic Teapot Competition, Yixing, China. His artworks have been exhibited worldwide since the 1980’s.

 

周光真(1953-),前国际陶瓷学会理事、中国代表(2014-2020),上海视觉艺术学院、四川美术学院、景德镇陶瓷大学客座教授,丽水学院中国青瓷学院国际顾问。他获得明尼苏达州德卢斯大学文学硕士学位和加州圣何塞州立大学文学硕士学位,已出版五本书,并在中国、日本、韩国、土耳其、瑞士和美国举办讲座。

他曾经担任策展有都柏林“超越时空的中国当代陶瓷”;阿联酋阿布扎比中国装饰陶瓷艺术展;亚利桑那州凤凰城NCECA“超越功能当代国际茶壶展”;以及2000年丹佛NCECA“中国当代陶瓷艺术展”,景德镇“刷新记忆IAC中国会员展”,北京“超越多元—国际陶瓷艺术交流展”NGO-UNESCO联合举办;还曾经担任评委,韩国国际陶瓷艺术双年展(GICB 2019)、意大利瓜尔多塔迪诺第39届国际陶艺大赛、土耳其神奇茶壶展 2018、加州大鱼小壶国际茶壶展大赛;长春国际陶瓷艺术研讨会暨大赛,宜兴首届世界陶瓷茶壶大赛等。自1980年代起,他的作品曾经在世界各地展出。


创作理念|Idea

Guangzhen Zhou’s Statement


“Encounter-Shanghai Contemporary Ceramic Experimental Art Exhibition” opened in Shanghai, which is exciting as a Shanghai-borne artist. Due to the lockdown, I can't travel, and I can’t “encounter” any of you, and I can't see the artworks in person, it's a pity! My original plan was to bring one of my new artworks to Shanghai for participating in this exhibition, that is, my recent artwork on the theme of the pandemic situation, titled "Automatic Automobile”. Since I can't go back to Shanghai, I had two of my old pieces from the 1990s brought to the show instead.

 

On the windshield of the automatic trunk there is a large mask covering whole glass window, just like if one was driving on the highway and suddenly a plastic bag hit the front of the car. The trunk is a rectangular Earth, and also is an iron cage - or "the earth in the cage". When the development of science and technology has reached the intelligent era, the COVID-19 virus pandemic has made the world step on the brake. Human beings are like a runaway vehicle rushing to the unknown.

 

With the rapid development of human science and technology and productivity, human rudeness is like an unmanned truck rushing to the future of the unknown. Even as people celebrate the omnipotent intelligent era and the birth of automatic automobiles, we are accompanied by more various kinds of pollution, such as floods, wildfires, earthquakes, tsunamis, droughts, and other natural disasters. We are forced to change our way of life because of the pandemic today, and we don't know where the end is.

 

The spread of the pandemic could affect every corner of the world. When the alarm bell rings, the subject of how to correct evil, learn respect the nature, and live in peace, is worthy of our deep thinking proposition, and is the well-being of future generations.

 

Guangzhen Zhou, Silicon Valley, California, November 2020

 

“相遇·上海当代陶瓷实验艺术展”在家乡上海开幕,激动人心。作为一个老上海,因疫情阻碍无法旅行,无法与大家相遇、相聚,无法在现场观赏艺术品,甚为遗憾!原计划将我最近创作的一件关于疫情流行主题的作品“无人驾驶汽车”带回上海展览。可以无法成行,最后只能用自己1990年代的老作品顶替。

 

“无人驾驶汽车”汽车驾驶室挡风玻璃上覆盖着一只大口罩,如同我们在驾车时遇到迎面扑来的一片塑料袋。后面的集装箱是长方形的地球,同时又是一只铁笼-或称为“铁笼里的地球”。当科技发展达到智能时代,一场病毒大流行让全世界踩下急刹车。人类如同一辆失控的汽车冲向未知的前方......

 

人类科技和生产力的迅猛发展,人类的粗暴如同一辆无人驾驶的大卡车迅猛冲向未知的前方。当人们在欢庆无所不能的智能时代,欢庆无人驾驶汽车诞生的时刻,伴随着我们的是更多的各种污染,水灾、山火、地震、海啸、干旱等各种自然灾害。我们因疫情被迫改变自己的生活方式,我们不知道哪里是尽头。

 

疫情蔓延可能影响到全球每一角落。警钟敲响之际,人类如何改邪归正,学习对大自然的敬仰,和平共处,才是值得我们深思命题,才是子孙后代的福祉。


周光真,2020年11月于加州硅谷

Note from the artist:
The opening of this ceramic art exhibition in Shanghai has come up against the challenging time of the global pandemic. This, too, has added to the true value of this exhibition and the hard work involved. Many thanks to Professor Mr. Zhao and the exhibition team! Due to the pandemic lockdown situation, I cannot be in Shanghai to meet many of you at the exhibition opening. It was truly embarrassing that I had to ask Professor Zhao Peisheng to pick up two of my artworks from 20 years ago from my apartment in Shanghai. The "truck" was also a toy made for my children about ten years ago that was painted recently, so I hesitate to categorize it as "artwork". Sorry for my cynical attitude! One of my giant-foot artworks from my "Great Progress" series was transformed from ceramic into casting brass by one of my Chinese friends. I would like to take this opportunity to express my congratulations and gratitude to all of my old and new friends.
Having traveled countless miles according to the earth's rotation, it is now time to cross the line of another year. May we overcome all obstacles and prepare to make great progress in the future. Guangzhen Zhou, from Silicon Valley, California 
补充说明:
本次上海陶瓷艺术展开幕正好赶上了全球疫情流行的挑战时刻。这也增加了这次展览的真正价值和所涉及的辛勤工作。非常感谢赵培生教授和展览团队!由于疫情封锁,我不能去上海与各位在展览开幕式上见面。我不得不请赵培生教授从我在上海住所里拿了两件20年前的作品,真不好意思。那件“大卡车”也是一个十年前为我的孩子们做的玩具,最近才被画出来,所以我不敢把它归为“艺术品”。我有时候有点玩世不恭,不好意思!一位陶艺界同仁将我的一件1990年代的作品“长足进步”系列由陶瓷变成了铸铜。我想借此向我的新老朋友们表示祝贺和感谢。
“日行千里跨旧时,长足进步迎新年”!

周光真于加州硅谷


作品展示|Works


01

《无人驾驶汽车1》21x44x10cm 

炻器、低温釉下彩、金彩 2020年

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02

《无人驾驶汽车2》21x44x10cm 

炻器、低温釉下彩、金彩 2020年

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03

《漫步》81x34x35cm 陶 2015年

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04

《双人舞》83.5x50x30m 陶 1998年

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现场回顾|Review

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资讯转载自:可艺术

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